TANGERINE DREAM MOVIE
TANGERINE DREAM FREE

Vanished from the band ’s landscape were the familiar signs of rock: drums, singers, and guitars. All three musicians played the same equipment: synthesizers and keyboards. Joining Dream ’s fleet of space explorers were groups like Synergy, Kraftwerk, Popol Vuh, the Cosmic Couriers, and Jean-Michel Jarre.īy 1972, Peter Baumann joined Franke as the third member of the ensemble. The search was on for “cosmic ” sounds, perhaps mirroring the exploratory nature of hallucinogen consumption. While turning from rock and roll as inspiration in the early seventies, Froese admits the band did not turn away from what inspired rock musicians of the time: psychedelics. Franke, also classically trained, would remain with Dream for 17 years, the most permanent fixture in the band besides Froese. No actual synthesizers were used on the band ’s debut effort, released under the now-defunct Ohr label.īy the time the band ’s second album, Alpha Centauri, came out the following year, Schulze and Schniztler had departed the group and were replaced by organist Steve Schroyder and synth-man Christophe Franke.

TANGERINE DREAM FREE

Tangerine Dream ’s first album, 1970 ’s Electronic Meditation, featured Froese on a very fuzz-boxed guitar, with fellow Germans Klaus Schulze playing free style drums and Conrad Schniztler dipping into processed cello arcs and electronics. He found it in “people like Xenakis and our own countryman Karlheinz Stockhausen. He knew he had to turn to other sources for inspiration, sources more suited to his past. However, young Germans have lacked the experience of growing up in the culture that first bred rock, and Froese felt this doomed them to mediocrity. Froese pointed out in Down Beat that then as now, German youth has tried to compete with Anglo rock and roll. A friend of Salvador Dali, Froese provided music for some of the famous artist ’s openings. W., Seattle, WA 98119.Īs a youth, Froese trained as a classical musician but found it stifling in the early sixties he began playing guitar in various German rock bands. Group formed in Germany, 1967 recorded debut album, Electronic Meditation, 1970 toured England, 1975.Īddresses: Record company -Miramar, 200 Second Ave. 1978), keyboard, synthesizer Steve Schroyder (joined band, 1971), organ and Ralf Wadephal (joined band, c. Later members include Peter Baumann (band-member, 1972-75), keyboards, synthesizer, flute Chris Franke (bandmember, 1971-88), keyboards, synthesizer Paul Haslinger (joined band, 1985), keyboards, synthesizer Michael Hoenig (joined band, 1975), keyboards Johannes Schmelling (joined band, c. M embers include Edgar Froese (born June 6, 1944, in Germany), keyboards, synthesizer, guitar Conrad Schnitzler (born in Germany left band, 1971), flute and other instruments and Klaus Schulze (born in Germany left band, 1971), synthesizer, keyboards. Tangerine Dream prefers to view its clouds of loosely structured synthesized sounds as belonging to the avant-garde experimental tradition. This apparent calumny has dogged the band almost since its inception in 1967.

TANGERINE DREAM MOVIE

More people have been exposed to the band ’s unique sounds than many realize, for the abstract instrumental nature of the work of Tangerine Dream lends itself to movie soundtracks their music graces dozens of popular motion pictures.įrom time to time, the sturdily built, blond-mustached band leader Edgar Froese has complained in his thick German accent of the New Age label critics attach to the band. Tangerine Dream has never earned mass appeal but has maintained a steady following both in the United States and abroad. This German band ’s influences include early electronic groups like Kraftwerk and modern experimental composers like Steve Reich. T he terms “ New Age ” and “Space Music ” have been aptly applied to the ethereal improvisational electronic work of Tangerine Dream.

Tangerine dream